Saying goodbye to 2016

It is at this time, most people reflect on the events of the year, whilst also looking towards to the future.

As a female, as a British East Asian what does 2017 hold in store? With everything that has gone on recently across the globe and the shift in not just national and international politics. Where do I stand? Where do I place myself in a new Britain that is now seemingly blindly shuffling its way towards – towards what we don’t quite know do we?

America a country that I have always loved, will this country now allow me to enter it freely?

 Central Europe is in the grip of its own doubt, grappling with the ideal, but having to face some of the grim realities that free unfettered movement can enable.

And Britain, 
“…this scepter’d isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England.
Richard II, Act 2 (Shakespeare)

Has shown itself to be less than a paradise .and not as blessed a refuge as perhaps was once thought. Brexit has scratched the country’s surface and our collective mindset and what we have uncovered is that the dark, unsavoury and toxic ideals of the extreme right have never really left us. 
Britain is not alone in this “discovery.” 

I feel fearful. Not of being dragged from my bed in the dead of night but I am fearful that the spread of this below the line extreme right consciousness will  inveigle itself once more into our institutions and national structures. I hope that I am just being paranoid and overly anxious.
I am not a politician or an academic. I’m an actor, a writer, filmmaker and when needs be, a bit mouthy about issues that I feel passionate about. 
As a person of colour, as a disenfranchised culturally dislocated and isolated person I am finding it more and more difficult to see how I fit into Britain.
The social and cultural progressions that have been made since the late 50s early 60s when I first landed in this country as Hong Kong Chinese foundling, have been truly remarkable. The diversity and variety that can be seen, heard and experienced in most major cities and towns across the land is the jewel in Britain’s crown.

 So why do I still feel excluded from British society?
Quite simply because I seldom see myself represented in my own culture – British culture.
And as a professional artist, it is rare that I even get the chance to be considered to represent my own ethnicity, let alone see the Britain that I grew up in, recreated on TV, film or in the theatre.

 In April 2013, I did a presentation on the unrealistic artistic mirrors that I was faced with in the media as I grew up during the 60s. It was part of IN CONVERSATION – A Snapshot of Chinese Cinema Today.

More Light 2009

More Light Arcola Theatre 2009


Whilst there have been great strides forwards for British East Asians (though to be fair we lag far behind colleagues from other British minority ethnic groups). 

We still have not been able to break through the entrenched, almost subliminally embedded Victorian perspective of what an East Asian should be. In spite of several high-profile production since 2013 that have had a majority or completely all British East Asians in the cast.

On the small and big screens in the UK, British East Asians are hardly to be seen at all. 
Now when I say British East Asian, what I mean is roles and story lines that don’t cast East Asians as the outsiders, the immigrants, speaking English with a heavy accent. Roles that see East Asians as British. The girls next door, the cabbie, the Doctor or the local shop owner. 

We are far from being there. The casting controversy that The Print Room, a fringe theatre in West London find itself in, is testament to that. We will see on stage, in 2017, a production being done in Yellowface.

So for those that may have stumbled across this blog and be wondering what on earth I’m on about. Why the hell am I complaining about not being included, I should be grateful that I live where I do – yes I am lucky that I live where I do. 
But that’s part of the “problem” isn’t. Here we are in the 21st Century Britain a group of British citizens has been edited out of British society and culture. To the point that we are not even able to participate in the re-telling of our own story (fictional or factual).

We are neither British nor in some cases East Asian. Relegated to cultural servitude. As coat hangers upon which others, many of whom see themselves as the innovators of art; and are by and large the dominant group in society. They dangle and exhibit their artistry, from our history and cultural lineage, exploiting us, but in the same breath deny us access and any hope of participating in our own culture.

Whether it is ridiculous fancy dress costumes,

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or stereotypical TV/Film roles being portrayed by white actors

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Janette Tough as Japanese fashion designer Huki Mukin in the Ab Fab movie

Take a moment and think.

Would you be happy constantly being depicted, in the media and on stage as

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or

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No matter what the drama 

Add to this the representation of these White British stereotypes are only portrayed by Black or Asian actors never, or seldom, a white actor, wouldn’t you begin to question your place in British society?
Never seeing an East Asian as a protagonist in any drama. Even when they do appear they are  portrayed as a white person. White people stripped down to a basic racial and cultural cliché. Not once, twice but every single time you turn on your TV or go to the cinema, rent a DVD, stream a new TV drama, or listen to a radio play 

Wouldn’t you begin to feel ever so slightly irked. Imagine how you might feel after thirty or forty years of this – welcome to our world.

So as 2016 draws to a close (many are willing it to end) I turn my thoughts to face whatever will come in 2017.

I hope that it will be a more diverse, more equal and a more inclusive world


.

Wishing you all health, happiness, prosperity and peace

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Meet the writers

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This is a unique opportunity to meet two of the #FlipThe Script contributing authors

Mei-Mei Ellerman and Lucy Sheen

You’ll have a chance to hear both Mei-Mei and Lucy read from Filp The Script and Dear Wonderful you two extraordinary anthologies from the An-Ya Project catalogue of publications. For adoptees and fostered children, teenagers, young adults and adults by adoptees and those intimately affected by the adoption experience.
To reserve your free ticket just go online either via
Ticket Source or Eventbrite

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Premiere of Abandoned Adopted Here

British premiere screening of Abandoned Adopted Here takes place on 7th April in central London at SOAS. This is a one-off event, a unique chance to see the only public screening scheduled so far for 2016. It is also an opportunity for the public to participate in a post screening Q&A session with the director, Lucy Sheen, chaired by Dr. Diana Yeh

ORIGINAL NEWSPAPER CLIPPING
Here you can see the trailer for the documentary if you live in the UK, London or the Southeast, this film is a must see independent documentary.
This is what CinéWomen Magazine wrote about the filmmaker and the film in their Biennial Edition 2016.

“With her characteristic vérité style, Lucy Sheen pushes the documentary genre to virtuosic heights. Her psychologically acute film deals with themes of personal identity and cultural difference, delivering a personal and nuanced take on an issue of international importance.”

Don’t miss out on this opportunity. Tickets are now live and only available online

Huge thanks to SOAS for their generous support for this event. SOAS-logo

Brunei Gallery-logoCurrent Exhibitions:
15 January – 19 March 2016 – Sand in my Eyes: Sudanese Moments

21 January – 19 March 2016 – In Search of Lost Time البحث عن الزمن المفقود