Protecting Racism in Theatre

“If Kennicott and his ilk believe it is so important to perform these works as written in order to preserve them as a window into our past (“the history embodied in our canon”), where are the castrati? Why do we no longer perform Shakespeare with adult men in the male roles and underage boys in the women’s roles? ”
This article deserves to be read and passed on

Bitter Gertrude

Yes, I am still talking about this, despite some truly delightful comments and emails requesting that I stop draining all the fun out of life. (One woman, who said, and I quote, that she would like to punch me in the face, was relieved that I didn’t cast her local production of The King and I, as I would have unfairly deprived her of her favorite role, Lady Thiang, due to my ridiculous stance against yellowface.) The title of Mike Lew’s brilliant HowlRound article, “I’ll Disband My Roving Gang of Thirty Asian Playwrights When You Stop Doing Asian Plays in Yellow Face,” says it all. Privilege goes down hard, and it goes down swinging, and it goes down all the while claiming the right to do, ahem, whatever the fuck it wants.

One of the things privilege wants, and wants badly, is the continued ability to protect racism in performance. Mike…

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